[Real Negro] EBOOK/EPUB
CHARACTERS ✓ DEMONVALLEYBREWING.CO.UK ✓ Eversley ShellyAcial 'truth' as invisible and interior yet ixed within a stable conception of difference; The Real Negro oregrounds how investments in black racial specificity illuminate "the dynamic terms that define what makes a text and a person 'black' while it "dynamic terms that define what makes a text and a person 'black' while it reveals how 'blackness' spoken and authentic guards a ragile because unspoken
to the and primacy of 'whiteness' as a stable uncontested ideal. Ed in the irst part "Of The Century Because Written By A Black Man They "the century because written by a black man they not 'imitation' black while the dialect performances by Zora Neale Hurston were #Celebrated Because Written By #because written by 'real' black they were not 'imitation' white The secondcommitment to the
Half Of The Century In Its Dismissal Of Material Segregationof the century in its dismissal of material segregation a notion of black racial meaning as internal and psychological and thus promotes a version of black In this book Shelly Eversley
Historicizes The Demand For Racialthe demand or racial what Zora Neale Hurston called 'the real Negro' in twentieth century American literature Eversley argues that the modern emergence of the interest in real Negro' transforms "the uestion of what race an author belongs into a uestion of what it takes to belong "uestion of what race an author belongs into a uestion of what it takes to belong to race Conseuently Paul Laurence Dunbar's Negro dialect poems were priz.